![]() console only has DANTE) at least a 1RU/19" unit. I always need to carry a I/O device which is (if the resp. So conclusion is: there is no really mobile solution (Proton-Server and a laptop, maybe a GS108). Using the IOS-XL because I though WordClock could solve the issue (but it did not). Thus the unit isn’t that cheap (even I think it’s worth it) so buying another one isn’t high priority as I don’t get any paid for bringing my own Waves rig on most of the respective shows.Īlso, I have a Proton, which for just a few channels or a WLM+ in master is enough and fits into my tool case, so having a MGR or WSG Bridge is kind of “odd” (even I know it works) as it breaks the concept of small form factor (which would’ve worked with DVS as it’s just a second Nic for my laptop). I bought my MGB just when it was released (there was now MGR at that time) and as I own a DiGiCo myself I choose MGB over MGO. Yes I know, it’s kind of difficult if one doesn’t know each other (we all know the “ups, I forgot to plug in the cable” type of guys).Īs said, yes there are often Vi3000/50000 (with only optical MADI) or Yamahas or A&H dLives (mostly just with a DANTE card rather than a MADI or Waves card) and so on. Lastly, in case the issue with the WSG Bridge for Dante unit is a technical-related issue, I suggest contacting our Tech Support team to assist with pinpointing the culprit and advise. That said, while performing live show/stream/recordings, we do not recommend using untested & bridged interfaces, to ensure optimal performance of our systems.Īs a side note, the clicks and pops might be related to a clock mismatch between the IOX-XL and Dante enabled console.Īlthough such a setup was not tested and qualified with SuperRack you can try and connect the two devices over Word Clock and see if the issue is solved.Īs it still might introduce latency, we recommend running with SuperRack Native which should not show all of these issues running with your I/O. Record, process and playback up to 128 audio channels, using literally hundreds of Waves and third-party plugins, with super-low latency, clocking in at only 0.8 milliseconds You can even record to two computers simultaneously: One for virtual soundcheck, the other for backup. We don’t block the non-SG I/O option in SuperRack and LV1 Mixer so that users could have the ability to configure it and test sessions while not in front of the console. LIVEPROFESSOR LATENCY SOFTWAREThe software was developed in close collaboration with experienced audio professionals from live sound, theatre and broadcast, and is used. LIVEPROFESSOR LATENCY PORTABLELiveProfessor makes it easy to create a powerful, portable and flexible effect rack using VST or AU plugins. Whether you want to start creating your own music or bring your production up to a professional level, Cubase guides you on your music production journey. LIVEPROFESSOR LATENCY MANUALbecause according to the manual the latency of the AD and DA converters is. LiveProfessor is a live oriented plugin host for Windows and OSX. 1 Topic by ramses 20:33:09 (edited by ramses. Improved bus names and IO names in audio patch. Added command to jump to the first cue and set it as next. Program is running with even higher system priority, to get rid of some dropouts. Option to turn on more threads in Audio & Midi setting. You must login or register to post a reply. This function will use more cores, but does not necessarily improve very low latency performance. I've been using a bunch of different plugins natively for mixing in post (stuff from fabfilter, SSL native, Slate Digital etc.) that I would love to use in a live setting too.Note that all SG Interfaces were tested and qualified to run with SuperRack SoundGrid. RME User Forum Miscellaneous Questions to RME Essentials-VST Plugins in TotalMix with LiveProfessor. My church is going to be upgrading to an A&H SQ7 soon and with that comes the option of add-in IO cards for either Waves or Danteįrom what I know, Waves SuperRack is kind of the default industry standard for running plugins live, but the drawback is that you are locked into using only Waves plugins.Īnother option I've seen on this page is to use LiveProfessor as a plugin host with audio networked over Dante - but that introduces a bunch of latency (like DVS requiring a minimum of 8ms roundtrip) that would make it less-than-ideal for use in a live setting, especially in a smaller venue. (Apologies in advance if my questions don't make sense - am but a sound tech at a small-ish church looking to improve our live mixing capabilities) ![]()
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